[Contains Finnish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
Tämä video on tallenne kahdesta huomattavasta taidenäyttelystä, jossa Adi Dan taideteokset olivat esillä: Venetsian Biennaalista ja Cenacolo Di Ognissantista Firenzessä.
Two important art exhibitions in which Adi Da was invited to participate were the Venice Biennale (2007) and the Cenacolo di Ognissanti in Florence (2008), where His Art was exhibited in the same room as the famous large fresco by Domenico Ghirlandaio of "The Last Supper".
[Contains Czech subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
Toto video dokumentuje dvě důležité výstavy, na nichž byla vystavena díla Adi Da: Bienále v Benátkách a Cenacolo Di Ognissanti ve Florencii.
Two important art exhibitions in which Adi Da was invited to participate were the Venice Biennale (2007) and the Cenacolo di Ognissanti in Florence (2008), where His Art was exhibited in the same room as the famous large fresco by Domenico Ghirlandaio of "The Last Supper".
[Contains Polish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
Ten film dokumentuje dwie ważne wystawy sztuki, w których pokazano dzieła Adi Da: Biennale Weneckie i Cenacolo Di Ognissanti we Florencji.
Więcej informacji na temat sztuki Adi Da Samraj można znaleźć pod adresem www.daplastique.com.
Two important art exhibitions in which Adi Da was invited to participate were the Venice Biennale (2007) and the Cenacolo di Ognissanti in Florence (2008), where His Art was exhibited in the same room as the famous large fresco by Domenico Ghirlandaio of "The Last Supper".
As part of the 2008 Inverno a Firenze (Winter in Florence), Adi Da's Image-Art was featured in the medieval church, the Cenacolo di Ognissanti, strikingly juxtaposed with Domenico Ghirlandaio's Last Supper (1480). More about this art exhibition here.
This video was a part of that exhibition. It is an animated work that combines art drawn from Adi Da's The Spectra Suites with new electronic music by Francesco Rampichini. It was conceived and directed by Valeria Patera, and edited by Valeria Spera.
The Spectra Suites. Between 1998 and 2006, Adi Da focused on camera-based imagery, creating a highly complex body of work (in both black-and-white and color) that now exceeds 60,000 images and a great many hours of videotape. The Spectra Suites is a consequence of His work from that great library. In these suites, Adi Da combines digitally generated imagery with images He created using still and video cameras. To achieve each finished work, He then meticulously crafted every detail by digital means. Each of the ten Spectra Suites is based on one or more of His fundamental images — many of which are a powerful visual and philosophical complexity.
Francesco Rampichini. Through his music, master guitarist and composer, Francesco Rampichini, has created a wide range of sound and image interconnections, composing for theater, dance, digital art and collaborating on important exhibitions and museum installations. He taught at the Civic Music Schools in Milan, Opera, Locate Triulzi and at the Ateneo della chitarra and the European Music Institute in Milan. He teaches at CPSM at the Conservatory of Milan (of which he has been vice president) and at the Civica Music School of Locate Triulzi (guitar, ensemble music, computer music). He is President of the Jury of Guitar Competition Rocco Peruggini, artistic director of the Lyric Competition Principessa Cristina Trivulzio di Belgiojoso, and was the first Italian President of the Jury of the Django d'Or International Award under the High Patronage of the Embassy of France in Rome (1999). More about Francesco at his website.
Valeria PateraValeria Patera studied philosophy of science at Universitŕ degli Studi di Milano, and graduated in dramaturgy from the Civic School of Art.e Dramatic Paolo Grassi. She is a playwright, director, actress and scholar of the relationship between art, science, and philosophy. She collaborates with prestigious universities, research centers and European foundations including University of Sheffield, State University of Milan, ROME THREE, La Sapienza, La Sorbonne, University of Leeds and Portland, Gulbenkian Foundation, Sigma Tau Foundation. Since 2002, she has written, published and staged live work shows and life stories that have radically altered our way of seeing the world, including "Alan's Apple" about Alan Turing, the inventor of the computer; and "I, Charles Darwin: Traces and voices of my life", on the father of the theory of evolution.
Valeria Spera.Valeria Spera has a degree in "Communication Sciences and Technologies" and a specialized degree in "Television, Cinema, and Multimedia Production" from the University of Milan. She currently works with the Feltrinelli Group's La Effe TV in creating new formats for their autumn television season.
Interviews and overview of Adi Da's solo exhibition at the Cenacolo di Ognissanti in Florence, Italy, in 2008. How Adi Da's art was chosen for exhibition in Florence at Cenacolo di Ognissanti.
Two important art exhibitions in which Adi Da was invited to participate were the Venice Biennale (2007) and the Cenacolo di Ognissanti in Florence (2008), where His Art was exhibited in the same room as the famous large fresco by Domenico Ghirlandaio of "The Last Supper".
Dr. Cristina Acidini (the Superintendent of the Authority for Cultural Heritage and State Museums in Florence, Italy) speaks about the exhibition of Adi Da Samraj's image-art at the Cenacolo di Ognissanti, February 2008.
Dr. Monica Bietti (Director of the Museum of the Medici Chapels, formerly with the Superintendency of Artistic Heritage of Bologna and Florence) speaks about the exhibition of Adi Da Samraj's image-art at the Cenacolo di Ognissanti, February 2008.
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